In general, I am against gun control laws. On most days, this is an easy position to take. When I’m not confronted with the threat of a gun, it’s easy to side with more liberty as opposed to less. I’m not a gun person—I’ve never fired or even held a gun—and I don’t think most people should own them, but I don’t want the government taking away a person’s ability to defend himself if he feels it’s necessary.
But then, of course, something like what happened Thursday night in an Aurora, CO movie theater happens. Then it becomes very hard to justify opposition to strict gun control. It is utterly sickening that this keeps happening and nothing changes. Two days before a gunman in Colorado shot 71 people—killing at least 12—at the movies, a gunman in Alabama shot 17 people outside a bar in Tuscaloosa. Six days before that, four kids in Chicago were shot in a park on the South Side. Two days before that, three people, including a 16-year-old kid, were killed in a shooting at a Delaware soccer tournament. One of the victims of the Aurora tragedy narrowly avoided a similar shooting in a Toronto mall only six weeks earlier. The quaint settings of these tragedies—parks, malls, movie theaters—only add to the horror. Continue reading »
What we read while lamenting the destruction of traditional marriage…
- Further proof that William Faulkner can write about anything, as if we needed it. Remember the words of Moe Szyslak: “William Faulkner can write an exhaust pipe gag that would really make you think.” Our favorite sentence from this Faulkner Sports Illustrated piece from 1955? ”But [the ice] looked not expectant but resigned, like the mirror simulating ice in the Christmas store window, not before the miniature fir trees and reindeer and cosy lamplit cottage were arranged upon it, but after they had been dismantled and cleared away.”
- We are far from the first ones on this, but sometimes, taking two things that independently aren’t funny, like say, Kanye West tweets and New Yorker cartoons, and putting them together equals comic gold.
“The trick is to combine your waking rational abilities with the infinite possibility of dreams…if you do that, you can do anything.” —-Waking Life
Here is what you do if you have a passing interest in neuroscience, psychology, or physics but are too lazy to take science classes in college: make movies. In the last decade or so, some of the most successful movies from nearly every genre—from thrillers like Memento to sci-fi/action movies like The Matrix to art house movies like Waking Life—involve quirks of the mind: alternate realities, psychological disorders, and imaginary characters.
Inception, the latest film from Christopher Nolan (director of the aforementioned Memento as well as The Dark Knight, which means we at NPI are predisposed to like him), tackles dreaming, an area so loaded with psychological and epistemological ramifications that the movie feels ready to burst at the seams. Leonardo DiCaprio plays Cobb, a thief who enters peoples’ dreams to steal their ideas. This process, known as “extraction,” involves exploiting projections of a dreamers’ subconscious to reveal secrets. Continue reading »
Despite my general negativity about movies of the Aughts, there were still plenty of great films released this decade (although I think a Top Ten list of 90s movies would probably omit films that could be #1 on this list). I’ve already provided a list of the ten funniest films of the decade, and there were other great comedies that didn’t make the list. Today, though, we turn our attention to the dramatic category. As Josh has already declared, though, genre concerns can be distracting, so I will not be bound my technical genre classifications. Consider this a list of films I like for “dramatic” reasons: