Posts Tagged ‘Curb Your Enthusiasm’

Going to ’11: The Best Television Episodes of the Year

Community: For a Few Paintballs More

Is This Episode on the List?

Well, the 2012 list is pretty much all wrapped up, but what were the best episodes of TV in 2011?

10) “You’re Getting Old” – South Park

 This was not the funniest episode of South Park this year, or even the best, but it was certainly the most memorable for the way it dealt with the show’s ongoing existence. As Trey Parker and Matt Stone found success on Broadway with The Book of Mormon while their aging series had now passed its 200th episode, they were bound to start questioning the value of a show that “just shows how shitty things are.” When Randy and Sharon Marsh broke up, it seemed like a thinly veiled commentary by Parker/Stone on the series itself (“Every week it’s kind of the same story in a different way, but it just keeps getting more and more ridiculous”). It was so jarring that some people expected it to be a surprise series finale. Of course, I’m happy Parker and Stone are continuing with the series, and the fact they are willing to question the value of the show is part of why it’s so great.

  Continue reading

Curb Your Enthusiasm Season Eight Review

About midway through Season Eight of Curb Your Enthusiasm, I was worrying that the show was in the twilight of its run. There wasn’t anything major wrong with the season, but it seemed like every episode had enough minor flaws—it was too long, one story was weaker than the rest, a crucial plot development didn’t make sense, etc.—to prevent the humor from really clicking like it does in the best episodes of the show.

More generally, I wondered if airing at the same time as Louie was hurting my perception of the show. Both are shows about middle-aged, bald, single, misanthropic comedians who often have trouble relating to other people—and they both aired during the summer, when there are only a few comedies airing—so it was inevitable that I would be comparing the two. And the comparison was not working in Curb’s favor. In weeks where Louie was airing such memorable episodes as “Oh Louie/Tickets” and “Come on, God,” Curb was airing uninspired efforts like “Vow of Silence” and “The Hero.” I even started to wonder if Louie was making Curb redundant.

But then Season Eight ended on a run of four straight stellar episodes, and my worries mostly dissipated. Continue reading

Monday Medley

What we read while maintaining NPI’s AAA credit rating…

  • The most common specialty for blind mathematicians? Geometry.

Monday Medley

What we read while Derek Jeter got even more insufferable…

Monday Medley

What we read while dunking over a 1992 Buick LeSabre…

Monday Medley

What we read while wondering why they even bother with the Grammys…

Aught Lang Syne: What John S Is Looking Forward To….

In this final installment Aught Lang Syne’s conclusion, John S presents what he is looking forward to in the coming decade. In case you missed it, Josh posted what he is anticipating here, and Tim posted his here. We at NPI hope you’ve enjoyed our retrospective on the Aughts.

In the Teens, I’m looking forward to….

…A Suitable Name for a Decade: Were we happy with “the Aughts”? Of course not. But we stuck with it for the sake of consistency. And even if it won’t be accurate for 30% of the decade, at least all the 2019 decade retrospectives will refer it as “the Teens.”

…The Future of Television: I’ve already touched on this, but television is currently at a crossroads. If anything, things have become more dire for the old model. Network television is apparently on its way out, and free television may be a casualty. This, of course, may have disastrous consequences: With free TV gone, shows’ budgets may be severely restricted. As a result, shows will not be able to have big casts, shoot extensively on location, or attract the best talent. In other words, the Golden Age of TV will be over.

It’s probably inevitable that television will undergo some growing pains, but I think that ultimately the industry will get stronger. The evolution away from the old network model will actually be conducive to more innovative programming. Broad hits like CSI and American Idol may suffer, but shows like Mad Men—which is already on pay-cable and maintains a large cast, original sets, and great actors—ought to be able to survive. In fact, the cable model, which is what people say we are drifting towards now, already produces most of the best television. No matter what, though, it will be fascinating to watch a medium that is hitting its creative stride at the precise moment that it faces logistical upheaval.   Continue reading

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