Posts Tagged ‘Curb Your Enthusiasm’

Going to ’11: The Best Television Episodes of the Year

Community: For a Few Paintballs More

Is This Episode on the List?

Well, the 2012 list is pretty much all wrapped up, but what were the best episodes of TV in 2011?

10) “You’re Getting Old” – South Park

 This was not the funniest episode of South Park this year, or even the best, but it was certainly the most memorable for the way it dealt with the show’s ongoing existence. As Trey Parker and Matt Stone found success on Broadway with The Book of Mormon while their aging series had now passed its 200th episode, they were bound to start questioning the value of a show that “just shows how shitty things are.” When Randy and Sharon Marsh broke up, it seemed like a thinly veiled commentary by Parker/Stone on the series itself (“Every week it’s kind of the same story in a different way, but it just keeps getting more and more ridiculous”). It was so jarring that some people expected it to be a surprise series finale. Of course, I’m happy Parker and Stone are continuing with the series, and the fact they are willing to question the value of the show is part of why it’s so great.

  Continue reading

Curb Your Enthusiasm Season Eight Review

About midway through Season Eight of Curb Your Enthusiasm, I was worrying that the show was in the twilight of its run. There wasn’t anything major wrong with the season, but it seemed like every episode had enough minor flaws—it was too long, one story was weaker than the rest, a crucial plot development didn’t make sense, etc.—to prevent the humor from really clicking like it does in the best episodes of the show.

More generally, I wondered if airing at the same time as Louie was hurting my perception of the show. Both are shows about middle-aged, bald, single, misanthropic comedians who often have trouble relating to other people—and they both aired during the summer, when there are only a few comedies airing—so it was inevitable that I would be comparing the two. And the comparison was not working in Curb’s favor. In weeks where Louie was airing such memorable episodes as “Oh Louie/Tickets” and “Come on, God,” Curb was airing uninspired efforts like “Vow of Silence” and “The Hero.” I even started to wonder if Louie was making Curb redundant.

But then Season Eight ended on a run of four straight stellar episodes, and my worries mostly dissipated. Continue reading

Monday Medley

What we read while maintaining NPI’s AAA credit rating…

  • The most common specialty for blind mathematicians? Geometry.

Monday Medley

What we read while Derek Jeter got even more insufferable…

Monday Medley

What we read while dunking over a 1992 Buick LeSabre…

Monday Medley

What we read while wondering why they even bother with the Grammys…

Aught Lang Syne: What John S Is Looking Forward To….

In this final installment Aught Lang Syne’s conclusion, John S presents what he is looking forward to in the coming decade. In case you missed it, Josh posted what he is anticipating here, and Tim posted his here. We at NPI hope you’ve enjoyed our retrospective on the Aughts.

In the Teens, I’m looking forward to….

…A Suitable Name for a Decade: Were we happy with “the Aughts”? Of course not. But we stuck with it for the sake of consistency. And even if it won’t be accurate for 30% of the decade, at least all the 2019 decade retrospectives will refer it as “the Teens.”

…The Future of Television: I’ve already touched on this, but television is currently at a crossroads. If anything, things have become more dire for the old model. Network television is apparently on its way out, and free television may be a casualty. This, of course, may have disastrous consequences: With free TV gone, shows’ budgets may be severely restricted. As a result, shows will not be able to have big casts, shoot extensively on location, or attract the best talent. In other words, the Golden Age of TV will be over.

It’s probably inevitable that television will undergo some growing pains, but I think that ultimately the industry will get stronger. The evolution away from the old network model will actually be conducive to more innovative programming. Broad hits like CSI and American Idol may suffer, but shows like Mad Men—which is already on pay-cable and maintains a large cast, original sets, and great actors—ought to be able to survive. In fact, the cable model, which is what people say we are drifting towards now, already produces most of the best television. No matter what, though, it will be fascinating to watch a medium that is hitting its creative stride at the precise moment that it faces logistical upheaval.   Continue reading

Aught Lang Syne: The Ten Funniest Episodes of Television

Our look last week at the decade in television focused mainly on dramas. But the creative advancements in the medium were not limited to that genre; it’s only more obvious there. The Aughts have been a great decade for comedies as well, seeing such brilliant shows as Arrested Development, The Office, Curb Your Enthusiasm, and many others. There are plenty of reasons why comedies have been so good during the Aughts, and we touched on some already, but the same principles that applied to dramas are at work here: The people making TV realized that there is an audience that actually likes shows that are unconventional, smart, and formally innovative. We’ve seen shows embrace the documentary structure (The Office, Modern Family, etc.), plentiful flashbacks (How I Met Your Mother), third-party narration (Arrested Development), and political satire (South Park). A slew of new comedies from 2009—Community, Parks and Recreation, Modern Family—bode well for the continued success of the sitcom.

Comparing comedies, though, is a little trickier than comparing dramas, since they don’t generally tell one consistent story. Even seasons often contain no “narrative arc,” and, if they do, it often has little to do with the actual comedy. As a result, comedies are much more susceptible to uneven seasons and bad stretches than dramas. Instead, we’re going to compare episodes. And unlike previous lists, we’re going to put a strict cap, of one, on the number of times a single show can appear on the list. Other than that, though, the parameters are pretty loose: Of any show, no matter how long it lasted or where it aired or on which network, these are the Aughts’ ten funniest episodes of TV: Continue reading

Aught Lang Syne: The Funniest Comedians of the Decade

Comedy is a broad subject. It’s not confined to any one medium, genre, style, or format. It’s hard to define and almost impossible to quantify. But here at NPI, we take comedy very seriously. The comedy of the Aughts in particular will always have an important role in shaping our senses of humor. So today we present a list, in no particular order, of people who helped to truly shape the comedy of the decade. This is not a list of people who were funny once or twice, but people with a body of work that is both rich and impressive. This means that a lot of people had to be cut. Great stand-up comics (Louis C.K., Aziz Ansari), some hilarious supporting comic actors (Paul Rudd, Jason Schwartzman), and even some groundbreaking comic teams (Flight of the Conchords, Stella), couldn’t make the list. And that’s because the following individuals/groups reached a level of success, both in terms of popularity and quality, that helped define the comedy of the decade.

The cast of Arrested Development

Arrested Development has the funniest ensemble cast in the history of comedic television, and it’s way ahead of whatever’s at #2. Tim has already extolled the virtues of Jason Bateman as Michael Bluth, but the fact is that the main character is about the sixth-funniest cast member on the show. Michael Cera gave a breakout performance for three years as George Michael, completely selling every awkward quirk of the character, including (and especially) his love for his cousin. David Cross played Tobias’ obliviousness and physical awkwardness to perfection, conveying every sexual inadequacy and illicit implication (“She said ‘single,’ right?”). Will Arnett made a magician named Gob come off as arrogant, creepy, and sympathetic. Portia Di Rossi played Lindsay’s self-righteousness and laziness as mutually coexisting. Jeffrey Tambor, as the family patriarch, managed to make the character so memorable that they had to keep him as a regular, even though he was supposed to remain a guest after the pilot. Tony Hale’s Buster, Jessica Walter’s Lucille, and Alia Shawkat’s Maeby, rounded out the cast, ensuring the show didn’t have a single weakness. Even guest stars, like Henry Winkler, Ed Begley, Jr., and John Michael Higgins, manage to turn their characters into memorable comic stars.

Most important, though, was the way the cast interacted. Plenty, if not all, great comedies have breakout characters and star performers, but few entire casts have had the chemistry that this cast had. Exchanges between Michael and his son, for example, are so great not just because of the dialogue and each character’s eccentricities, but because of the interplay between the two characters. Their ability to talk over each other, fill in each other’s awkward gaps, and respond nonverbally to the other’s lines are as funny as anything in the script. Continue reading

Aught Lang Syne: Quotes of the Decade

To accurately and sufficiently summarize the Aughts, we at NPI have compiled and organized what we believe to be the defining list of quotes from this decade. Some of these were soundbytes, some were entire news cycles, some were quoted ad nauseam, some are poignant, some are sad, and most are hilarious.

“Either you are with us, or you are with the terrorists.”

–President George W. Bush, September 20th, 2001

 

“There’s an old saying in Tennessee — I know it’s in Texas, probably in Tennessee — that says: Fool me once, shame on… shame on you… You fool me we can’t get fooled again.”

–President Bush, 2002

“Our enemies never stop thinking about new ways to harm our country and our people, and neither do we.”

–President Bush, August 2004

 

“I actually did vote for the $87 million before I voted against it.”

–Senator John Kerry, 2004

 

“Yes We Can!”

–Senator Barack Obama, Repeated Continue reading

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