Despite my general negativity about movies of the Aughts, there were still plenty of great films released this decade (although I think a Top Ten list of 90s movies would probably omit films that could be #1 on this list). I’ve already provided a list of the ten funniest films of the decade, and there were other great comedies that didn’t make the list. Today, though, we turn our attention to the dramatic category. As Josh has already declared, though, genre concerns can be distracting, so I will not be bound my technical genre classifications. Consider this a list of films I like for “dramatic” reasons:
Posts Tagged ‘Harvey Dent’
28 Dec
Aught Lang Syne: The Top Ten Movies of the Decade
Posted by John S in Aught Lang Syne, Film, Rankings. Tagged: A Serious Man, Anton Chigurh, Aught Lang Syne, Bill Murray, Brick, Christopher Nolan, City of God, Cormac McCarthy, Fernando Meirelles, great fight scenes, Harvey Dent, Heath Ledger, High Fidelity, Jack Black, Japan, Javier Bardem, Jewish humor, John Cusack, Joseph Gordon-Levitt, Josh Brolin, Kill Bill, Korean cinema, Lost in Translation, Lucy Liu, movies, Natalie Portman, No Country for Old Men, Oldboy, Quentin Tarantino, Rian Johnson, Scarlett Johansson, Sofia Coppola, Suntory whiskey, the Aughts, the Coen brothers, The Dark Knight, the Joker, the Wachowski brothers, The Wire, tommy lee jones, Uma Thurman, V for Vendetta. 9 Comments
28 Jun
The Most You Ever Lost on a Coin Toss: The Sense in Senseless Violence
Posted by John S in "We Take, Among Other Things, Umbrage", Culture, Education, Film, On the Long Side. Tagged: Anton Chigurh, Carla Jean Moss, coin flips, filmic analysis, Harvey Dent, Heath Ledger, Javier Bardem, large extrapolations from small and almost coincidental cinematic trends, Morality, Nihilism, No Country for Old Men, Sheriff Bell, the Coen brothers, The Dark Knight, the Joker. 7 Comments

“The only morality in a cruel world is chance. Unbiased. Unprejudiced. Fair.”
—Harvey Dent, The Dark Knight

Carla Jean: The coin don’t have no say. It’s just you.
Anton Chigurh: Well, I got here the same way the coin did.
—No Country For Old Men
There has been a rash of coin-flipping killers in the movies recently—well, only two, but they are from two of the most important and memorable movies of the last decade.
Both titles are in IMDb’s ranking of the top 50 titles of this decade, with The Dark Knight in the top spot—granted the list is severely flawed (Up is No. 2 and Gran Torino is actually on the list), but it is a clear indication that these films had resonance.
The cultural importance of DK and NC is heightened even more when we consider the vacuum in culturally important movies over the last five years. On IMDb, which tends to be incredibly present-biased, most of this decade’s top films come from its first half. Even among the more recent ones, three are Pixar and six are foreign (not that these facts make the films bad or insignificant, just not the types of pictures that resonate with the culture at large), and I don’t think Star Trek or The Hangover will last long on the list. Continue reading »

