Here are the best episodes of 2012. Obviously this contains spoilers:
10) “Argentina” — Dexter
One of the nicest surprises on television this year was Dexter’s renaissance in quality. After some misguided years and a true nadir of a season in 2011, Dexter finally embraced a real progression in the story—having Debra find out about her brother’s “hobby”—and was all the better for it. The tension between Deb and Dexter led to some of the show’s best scenes ever. And since Dexter didn’t spend the entire season chasing his usual Big Bad Guy, Season Seven actually had decent subplots, including great guest performances from Ray Stevenson and Yvonne Strahovski. In “Argentina,” the show was even able to address the weirdest element of last season—Deb’s crush on her brother—in an impressive and compelling way.
Now that October Term 2011 is over, SCOTUSBlog has released their Supreme Court stat pack, which is remarkably comprehensive. Among other things, it reveals that Scalia and Thomas agreed the most in judgment this term (93.3 percent of the time), while Scalia and Ginsburg agreed the least (56 percent of the time).
Most of the problems with HBO’s Girls come from the name. By titling her show so simply, Lena Dunham implied that she was speaking for an entire gender. Having her character announce in the pilot, “I think I might be the voice of my generation,” also didn’t help her.
Of course, this says far more about the current state of television (and society) than anything else. Shows created by, produced by, and starring women are so rare that when one appears, it is expected to make a statement about the entire gender. A show that was allegedly supposed to speak for so many couldn’t help but get criticized for being so narrowly targeted: There were no minorities, or people from poor backgrounds, or sympathetically portrayed men, etc.
But this is not a fair standard: Nobody expects Louie to speak on behalf of all men. Even someone like Tyler Perry, who is in a similar situation as one of the few African-Americans with complete creative control over his work, isn’t expected to speak on behalf of all black people. In fact, it would be seem phony and unrealistic if someone like Louis C.K. tried to tailor his vision to fit social conventions; it would ruin the show.
By the same token, it would feel phony and unrealistic for Dunham’s character on Girls, Hannah, to have a black best friend. Continue reading »
This was not the funniest episode of South Park this year, or even the best, but it was certainly the most memorable for the way it dealt with the show’s ongoing existence. As Trey Parker and Matt Stone found success on Broadway with The Book of Mormon while their aging series had now passed its 200th episode, they were bound to start questioning the value of a show that “just shows how shitty things are.” When Randy and Sharon Marsh broke up, it seemed like a thinly veiled commentary by Parker/Stone on the series itself (“Every week it’s kind of the same story in a different way, but it just keeps getting more and more ridiculous”). It was so jarring that some people expected it to be a surprise series finale. Of course, I’m happy Parker and Stone are continuing with the series, and the fact they are willing to question the value of the show is part of why it’s so great.
Well, we promised rankings of the second season of Louie, and we followed through. It took us several weeks, but we followed through. If you want to see how Josh and John S broke down this summer’s best comedy, just keep reading… Continue reading »
About midway through Season Eight of Curb Your Enthusiasm, I was worrying that the show was in the twilight of its run. There wasn’t anything major wrong with the season, but it seemed like every episode had enough minor flaws—it was too long, one story was weaker than the rest, a crucial plot development didn’t make sense, etc.—to prevent the humor from really clicking like it does in the best episodes of the show.
More generally, I wondered if airing at the same time as Louie was hurting my perception of the show. Both are shows about middle-aged, bald, single, misanthropic comedians who often have trouble relating to other people—and they both aired during the summer, when there are only a few comedies airing—so it was inevitable that I would be comparing the two. And the comparison was not working in Curb’s favor. In weeks where Louie was airing such memorable episodes as “Oh Louie/Tickets” and “Come on, God,” Curb was airing uninspired efforts like “Vow of Silence” and “The Hero.” I even started to wonder if Louie was making Curb redundant.
But then Season Eight ended on a run of four straight stellar episodes, and my worries mostly dissipated. Continue reading »
As Season Two of Louie continues on FX, John S and Josh will be offering NPI readers their reactions to each episode. At the end of the season, they will rank the episodes. Get excited.
As Season Two of Louie continues on FX, John S and Josh will be offering NPI readers their reactions to each episode. At the end of the season, they will rank the episodes. Get excited. Continue reading »
As Season Two of Louie continues on FX, John S and Josh will be offering NPI readers their reactions to each episode. At the end of the season, they will rank the episodes. Get excited. Continue reading »