Happy Birthday, Bob
The Bob Dylan Rankings have been on an extended hiatus, but they’re back today—in honor of Dylan’s 70th birthday— with “Down the Highway,” from The Freewheelin’ Bob Dylan. It’s something of an odd selection: In addition to not being a particularly memorable song, it’s also incongruous with Dylan hitting an age so neatly associated with old age. “Down the Highway” is a playful and undeveloped song, and in some ways immature.
Nevertheless, “Down the Highway” allows us to delve into one of the most ubiquitous motifs of Dylan’s now seven-decade-long life: the road. What, after all, is Dylan’s obsession with highways? Continue reading »
They don’t come much more finger-pointing-y than “Masters of War.” Just a little over a year after The Freewheelin’ Bob Dylan was released, Bob Dylan would tell The New Yorker’s Nat Hentoff that his next album (Another Side of Bob Dylan) wouldn’t have any “finger-pointing songs”:
“Those records I’ve already made, I’ll stand behind them, but some of that was jumping into the scene to be heard and a lot of it was because I didn’t see that anybody else was doing that kind of thing. Now a lot of people are doing finger-pointing songs. You know—pointing to all the things that are wrong. Me, I don’t want to write for people anymore. You know, be a spokesman…. From now on, I want to write from inside me.”
And yet what makes “Masters of War” so effective as a protest song is that it is so intensely personal. If you look at protest songs of the last few years (and George W. Bush spawned practically a whole genre of them), they are full of vitriolic plays on words (“Texas führer,” “this Weapon of Mass Destruction that we call our President,” “you and Saddam should kick it like back in the day,” etc.) and clichés (“Fuck Bush,” “No blood for oil,” “Does he ever smell his own bullshit?”). Basically, they pick an easy target and toss schoolyard insults at it. In other words, they suck. Continue reading »
“You’re No Good” has the distinction of being the first track on the first album of the greatest musician of the last century. But it’s kind of a worthless distinction. Despite its placement, “You’re No Good” was probably not the first Bob Dylan song that most Dylan fans heard. His first album sold only modestly, as was typically the case with folk acts, and Dylan would not become a musical sensation until his second album, The Freewheelin’ Bob Dylan. Even most loyal folk music fans from New York had probably seen Dylan, who had been performing in Greenwich Village for a few months before the release of the first album, in concert already, and few of the songs on his first album were mainstays of his live performance. Continue reading »