About midway through Season Eight of Curb Your Enthusiasm, I was worrying that the show was in the twilight of its run. There wasn’t anything major wrong with the season, but it seemed like every episode had enough minor flaws—it was too long, one story was weaker than the rest, a crucial plot development didn’t make sense, etc.—to prevent the humor from really clicking like it does in the best episodes of the show.
More generally, I wondered if airing at the same time as Louie was hurting my perception of the show. Both are shows about middle-aged, bald, single, misanthropic comedians who often have trouble relating to other people—and they both aired during the summer, when there are only a few comedies airing—so it was inevitable that I would be comparing the two. And the comparison was not working in Curb’s favor. In weeks where Louie was airing such memorable episodes as “Oh Louie/Tickets” and “Come on, God,” Curb was airing uninspired efforts like “Vow of Silence” and “The Hero.” I even started to wonder if Louie was making Curb redundant.
But then Season Eight ended on a run of four straight stellar episodes, and my worries mostly dissipated. Continue reading