Even though Cablevision’s dispute with ABC means that I, along with several other million people in the NY-NJ area, will not be able to watch the Oscars, NPI’s Oscarpalooza carries on with previews and predictions. Of course, I am not a movie critic and, thus, have not seen all the movies nominated. Nor do I care about the majority of awards. So much of what makes the Academy Awards interesting to casual movie fans, though, is how a cottage industry of diviners and predictive pseudo-sciences has sprung up in response to the awards. Thanks to innumerable “Best Of” lists and predictive “secondary” awards like the SAGs or the Golden Globes, most people feel like they have a good idea of, say, Meryl Streep’s performance in Julie & Julia, whether or not they have seen it. Sifting through the critical white noise has become something of an art, and I’m offering my services so that those of you who would rather not watch Alec Baldwin and Steve Martin chaperone a four-hour self-congratulatory love-fest (or those of you who have Cablevision and simply have no choice), don’t have to watch to see who wins the eight major awards.
Posts Tagged ‘2010 academy award best picture nomineees’
A few months ago, when The Hurt Locker was just a small, art-house movie with a limited release, and not an Oscar nominee, A.O. Scott, in his review for The New York Times, said, “If The Hurt Locker is not the best action movie of the summer, I’ll blow up my car.” He did not mean to damn the film with small praise—he was only highlighting how strong the visceral elements of the movie are. A few weeks later, he wondered why the movie—which he called the best feature of the year—was not marketed as an action movie meant for a wide audience.
Of all the films nominated for Best Picture, only An Education has made less money than The Hurt Locker, whose $19 million worldwide gross is over $2.5 billion less than Avatar’s haul. And yet unlike films like An Education, Precious: Based on the Novel ‘Push’ by Sapphire, and A Serious Man, which generally had to be sold on the prestige of its directors/cast or the emotional complexity of its story, I don’t see why The Hurt Locker could not have found a broader audience. Kathryn Bigelow’s movie is certainly one of the most taut, tightly-packed, suspenseful films of the year; it’s the kind of movie that doesn’t take long to make an impact on the audience. Continue reading
The 2010 Oscar Nominees were announced today and I seek to defend my previous praise of the expansion of the “Best Picture” category to include ten nominees instead of the usual five. Without further ado, the ten nominees are:
The Blind Side
The Hurt Locker
A Serious Man
Up in the Air
Based on Golden Globe and Screen Actors Guild nominees/winners and general Oscar “buzz,” Avatar, Up in the Air, and The Hurt Locker were shoo-ins to be nominated and Precious was pretty close to one. If we’re in the five-nominee system that leaves one more nomination and two NPI favorites: Inglourious Basterds and A Serious Man. One of those movies would most likely not have been nominated and would have no chance at winning “Best Picture.” Yes, with the expansion to ten nominees we get the inclusion of the undeserving The Blind Side and the filth known as Up*.