Posts Tagged ‘Cat Power’

Brief Complaints About Pitchfork’s Latest List

Pitchfork recently released its list of the 500 best songs of the decade to predictable controversy. The truth is, I’ve long since passed the point at which Pitchfork’s opinion still bothers me. Pitchfork has a built-in audience that it constantly has to stay one step ahead of, so the lists and reviews it churns out are alternately predictable and erratic. It may seem capricious and arbitrary as to whom it deigns to support with its god-like power over hipsters, but there is a method to its madness.

It comes as no surprise, then, that certain songs by trendy and atrocious acts like Antony and the Johnsons, Cat Power, and Sufjan Stevens make this list.

What really puzzles me, though, is when crappy, uncool songs make the list. It makes absolutely no sense to me that a list that has Spoon’s “The Underdog” at 130 would also have “Party Hard” at 129. Andrew W.K.? Really? I used to play Madden 2003 on mute to avoid hearing that song. And if you’re going to include two Coldplay songs, don’t you also have to include “Vertigo” by U2 or some crap like that? Continue reading

Letter to the Letterwriter

I’ve long thought that people who write letters to the editor aren’t held accountable for much of what they write. This is an attempt to change that.

Dear John James,

Your letter to Esquire, which received its own byline online, starts off so promisingly. You come off immediately as more than the standard reader, as one who thinks deeply about music, about art, about music as art. Your case for the cover song is a good one, and one I appreciate and endorse.

However, John James, like Brett Favre, you lose credibility the more you continue. First, you are unable to resist the human urge to write at length about your own experience. You can argue that I care about why you love cover songs: The whole “art as a crossroads of the predictable and unexpected” is a theory that transcends personal tastes. You cannot argue, though, that I care about how you came to love cover songs. The intimate details of your adolescence, your strong sense of personal nostalgia for a bygone era of music, and the editorialization that almost inherently accompanies them are of no interest to me.

Continue reading