What we read while not going easy on Derek Jeter…
Despite my general negativity about movies of the Aughts, there were still plenty of great films released this decade (although I think a Top Ten list of 90s movies would probably omit films that could be #1 on this list). I’ve already provided a list of the ten funniest films of the decade, and there were other great comedies that didn’t make the list. Today, though, we turn our attention to the dramatic category. As Josh has already declared, though, genre concerns can be distracting, so I will not be bound my technical genre classifications. Consider this a list of films I like for “dramatic” reasons:
In addition to our Aught-themed Sunday Book Review, which we began last week, NPI is presenting a more general look at fiction of the decade in which we look quickly and some of the most significant works of literature published during this decade. This is Part I of a two-part series.
2666 — Roberto Bolaño
The epic of the Aughts (so long as we’re not counting The Wire), 2666 affords Bolaño the posthumous chance to opine on death in all its forms: from the corporeal to the metaphysical. His characters are deep even when they are fleeting, and his style (in Natasha Wimmer’s translation) ranges from florid to hard-boiled. In contemplating his own legacy, Bolaño pretty much ensured it.
The Amazing Adventures of Kavalier & Clay — Michael Chabon
I’ve already expanded on my high opinion of Michael Chabon’s novel about the Golden Age of Comic Books; The Amazing Adventures of Kavalier & Clay presents a compelling portrait of what it’s like to create fantasies in an era of global turmoil—a particularly resonant story of the Aughts, even if Chabon’s novel came out in 2000. While he deals with themes like evil and fantasy, however, Chabon is adept at depicting a rich setting of New York City in the 1930s.
— John S