Grandma Simpson: How many roads must a man walk down before you can call him a man?
Lisa: No, Dad, it’s a rhetorical question.
Homer: Rhetorical, eh? Eight!
—“Mother Simpson,” 1995
Like so many great lines of literature before it (“To be or not to be?” “It was the best of times, it was the worst of times,” “Two roads diverged in a yellow wood,” etc.), the refrain of Bob Dylan’s most famous song has become a cliché. The line—“How many roads must a man walk down, before you call him a man?”—has become so commonplace and simple after nearly 50 years in the public consciousness that it is easy to laugh at the plainness of the sentiment.
Even at the time of its release, though, people were laughing at “Blowin’ in the Wind.” According to Bob Spitz, Dave Von Ronk, one of Dylan’s early mentors, had a pretty dismissive reaction to the song: “Jesus, Bobby—what an incredibly dumb song! I mean, what the hell is ‘blowing in the wind’?…I figured Bobby could grind out a tune like that on the worst day he ever had in his life.” Even Dylan himself would occasionally sound modest about the song, saying in 1966, “I was never satisfied with ‘Blowin’ in the Wind.’ I wrote that in ten minutes. ‘Blowin’ in the Wind,’ was a lucky classic song…but it was one-dimensional.”
Bob Dylan did some amazing things and lived through some amazing times: He was labeled, by some, the voice of the 60s. He was booed at the Newport Folk Festival. He met The Beatles. He converted to Christianity. He hung out with Allen Ginsburg and Johnny Cash.
Should we be surprised, then, that none of that stuff made it into the first part of Dylan’s planned three-part autobiography, Chronicles: Volume One? Should we be surprised to find out that Dylan has instead devoted nearly half of the book to recounting the creations of New Morning and Oh Mercy, two albums that are, shall we say, less than canonical? Not really. Dylan has never been one to conform to expectations, and he has never really played into the commonly accepted narrative of his own life. He ran away from being labeled “the voice of a generation,” he retreated from the spotlight at the moments of his greatest fame, and he has rarely been open about many things that fans seem the most interested in, like his conversion and disillusion with Christianity.
In fact, Dylan spends most of his autobiography talking about other people. He talks about Dave Von Ronk and Daniel Lanois and Suze Rotolo. He likes history too. Often, Dylan simply retells facts from history class, or relays the biographies of historical figures: Continue reading