Posts Tagged ‘fall tv season’

Top Ten Things To Be Excited About In The Fall TV Season

It’s time for my third annual installment of this laboriously titled NPI feature! And, man, was compiling this year’s list difficult. Not only is this fall season following an unusually impressive summer in TV, with Breaking Bad, Louie, Curb Your Enthusiasm, Pretty Little Liars, and Rivals all airing solid to great seasons, but the shows premiering over the next few weeks do not look especially promising. After all, does Whitney Cummings really need two new shows? As usual, some old favorites are off the list, either due to a decline in quality (Dexter) or senescence (Friday Night Lights). In their place, though, are shows I am not at all confident in labeling “exciting.” Anyway, with all that hedging out of the way, on with the list:

10) Hope Solo on Dancing With The Stars Premiered September 19 on ABC

For normal people, who don’t have the same crush on Hope Solo that I do, this probably isn’t that exciting. And while I won’t be watching DWTS, I will be looking up Hope’s performances on YouTube… Continue reading

FlashBack…to FlashForward

FlashForward

JOHN S: FlashForward premiered on ABC last night (with an encore for those who missed it tonight at 8), and Tim and John S watched–we weren’t lying when we said FlashForward was the #9 reason to be excited for the Fall TV Season. So Tim, what did you think?

TIM: First off, you said it was #9. I would have had it at like #3, behind the return of Survivor and Degrassi’s Nina Dobrev in The Vampire Diaries. Those are really the only two things that could excite me more than a show in which the presentation of a friendship bracelet is accompanied by pulse-poundingly dramatic music.

JOHN S: Yeah, there was a TON of pulse-pounding dramatic music in this show. It was like 80% of the episode.

TIM: Right, and that’s one of the things I kind of expected. It reminded me a lot of the premieres of 24 and, predictably, Lost, in its explosive and perhaps overly dramatic tone. At the same time, I think that’s what shows have to do these days to survive: You rarely build an audience when you’re building characters. One of the smarter things FlashForward did was to avoid breaking for a commercial for 15 minutes. By that point, we had already seen the en medias res opening, the flash back four hours, the blackout, and the realization that it was global. It lays most of its cards on the table in those 15 minutes (two big ones left to be played later in the episode) and tries to hook you in as quickly as possible (like 24 does with its four hours in two nights with limited commercial interruptions).

Was it too dramatic? Ehh, a show that’s so conceptually driven is almost required to get it all out there in its first episode. If FlashForward were to save some of its expository twists (something like the fact that the blackout was indeed global or that everyone not only blacked out, but also saw a vision of their future) for later episodes, it probably wouldn’t create the same kind of buzz leading in. It’s not like you’re going to draw in viewers with your “…AND THEY SEE THE FUTURE!” trailers and then save that information for later.

Am I making any sense? Continue reading