“Sometimes I wonder if the world is so small that we can never get away from the sprawl…” —Arcade Fire, “Sprawl II (Mountains Beyond Mountains)”
“I used to think I was not like them, but I’m beginning to have my doubts…” —Arcade Fire, “City With No Children”
When I was 17, I saw Arcade Fire in what remains the best live performance I have ever seen. It was February 2, 2005, and even though the band’s first album, Funeral, had only been out for a little over four months, it seemed like Arcade Fire had been around forever. By the time the concert rolled around, the band was big enough to bring David Byrne on stage to perform an encore for an audience that included, among others, David Bowie.
In fact, Funeral had had so much buzz prior to its release that it seemed destined to underwhelm. I, for one, was ready to play contrarian and bash it, if only because “Arcade Fire” is a really stupid name for a band. The only problem, though, was that the album was legitimately awesome. From the opening track, “Neighborhood #1 (Tunnels),” I loved it, and I was happy, for once, to completely understand what all the fuss was about.
Of course, with such a hyped and successful debut, there come questions of whether or not those fortunes can be duplicated. And while I really like their second album, and I really enjoyed them the next time I saw them in concert, I had started to think that Funeral was the kind of lightning-in-a-bottle success story that only happens to a band once.
The release of The Suburbs, though, has changed that. Continue reading