Posts Tagged ‘Guy Walks Into an Advertising Agency’

Ranking Bob Dylan Songs, #39: Song to Woody

At the end of “Guy Walks Into an Advertising Agency,” the best episode of the most recent season of Mad Men, Don Draper tries to comfort his daughter, who is scared of the dark. She is scared of the dark because she thinks that her new baby brother is inhabited by the ghost of their grandfather. Together they go to the baby’s room to look at it, and Don comforts her by telling her that the baby is not her Grandpa: “This is your brother. We don’t know who he is yet, or what he’s going to be. And that is a wonderful thing.” And then the episode fades to black and “Song to Woody” starts playing over the closing credits.

Bob Dylan’s “Song to Woody” is really a song about identity—or, more accurately, it’s about the lack of identity that comes with youth. It’s about how people define themselves before they’ve done anything important. And it is the most beautiful and brilliant song on Dylan’s first album. Continue reading

Mad Men Season Three Review

Mad Men Guy Walks

Warning: This review contains spoilers….obvs.

Well, let’s begin at the end: The Mad Men season finale was excellent. Practically every scene had something important, and every plot twist, even the ones you could see coming like Roger recruiting Joan to the new agency, was welcome.

Most great finales are the ones that shake things up, and this one did exactly that. Once news got out that PPL had been sold, and Sterling Cooper with it, Lane Pryce “fired” Don, Roger and Bert so they were free to start their own agency. As a result, much of the episode involved recruiting others to the new company. Many of these recruitments took the form of confrontations that were long overdue: Pete’s worries about his place in the company, Peggy’s about her relationship with Don, Roger’s about how expendable Don now views him. All of these scenes allowed characters to hash out things that had burdened their relationships for a long time, extending back into Season One. And all of them were executed well.

What may have been the most interesting thing of the finale, though, was what it had the potential to set up. With Roger, Bert, Don, Lane, Joan, Pete, Peggy, and Harry all working together—and in the close confines of a hotel room—in a new, upstart agency, the show can integrate the business aspect of the show in a totally fresh way next year.* And while it worked very well in this instance, this is not necessarily the best strategy to pursue in a finale. Continue reading