Posts Tagged ‘Inside Llewyn Davis’

The Best Movies of 2013

The Theme of Movies in 2013: Rick People Suck

The Theme of Movies in 2013: Rich People Suck

Before I start, I want to address how silly a ranking like this is bound to be. It’s not that lists are inherently dumb—we at NPI (and the Internet writ large) LOVE presenting things in list form. But listing the best movies of 2013 IN 2013 (or, technically, immediately after 2013) feels misguided. It takes a while for feelings about a movie to settle. I saw five of these movies in the last two weeks; who knows how I’ll feel about them in a month? It’s not always clear which movies will be remembered well, or suffer on a rewatching. Looking back at my list from last year, I see about a dozen changes I would make. So consider this list somewhat provisional.

With that said, I saw a lot of movies this year, and lists can be a helpful way of organizing your thoughts on those movies. I’ve borrowed some of my category ideas from Josh’s ranking, but unlike Josh I find the distinction between “independent” movies and studio films to be arbitrary to the point of distraction. Plus, it’s a little pretentious. If a movie is good, it’s good; if it’s bad, it’s bad. Who cares who made it or what the budget was?

Anyway, here are the movies I saw in 2013, in order from worst to best…

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Ranking 2013’s Independent Films

The Esquire Theater in Denver, Colorado. Where I watched many of the films on this list, including Blue Jasmine.

I watched and will now rank 27 independent films that came out this year. I don’t expect to match this number until retirement absent a radical career change.

What’s an “independent film”? Defining the term is difficult. Wikipedia defines it as “a professional film production resulting in a feature film that is produced mostly or completely outside of the major film studio system [or] [by the indie] subsidiaries of major film studios [e.g. Fox Searchlight].”* That definition is good enough for me and I adopt it here.

*But why does it matter that a film is “independent”? There seem to be two prime reasons: (1) independence from major film studios — and, consequently, independence from the desires of the median viewer in the demographic the studio wants to attract — permits production of a broader range of content and (2) independent films generally have significantly lower budgets and accordingly have to make tough choices that major studio filmmakers don’t face. And a third reason for ranking purposes: outside of Los Angeles and New York City, most independent films play in different venues — independent theaters and arthouses — than major studio films and only a subset of filmgoers frequent these venues with any regularity. There surely is a bigger debate to be had on whether these reasons hold water and whether there’s a better way to define an independent film —- perhaps solely according to budget —- but I’ll save that for another day.

I missed a few of this year’s highly-acclaimed indie films (e.g. Blackfish, Wadjda, All is Lost) and I left off this list any film I saw that satisfied the above definition but received a lot of play in standard theaters (e.g. Twelve Years a Slave).

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