Posts Tagged ‘Jack Shephard’

Getting Lost: The End

It’s time for the final installment of “Getting Lost,” where John S takes you through all the questions, answers, themes, motifs, mysteries, ideas, propositions, and quandaries raised by last night’s series finale of Lost:

“What if a demon crept after thee into thy loneliest loneliness some day or night, and said to thee: ‘This life, as thou livest it at present, and hast lived it, thou must live it once more, and also innumerable times; and there will be nothing new in it, but every pain and every joy and every thought and every sigh, and all the unspeakably small and great in thy life must come to thee again, and all in the same series and sequence-and similarly this spider and this moonlight among the trees, and similarly this moment, and I myself. The eternal sand-glass of existence will ever be turned once more, and thou with it, thou speck of dust!’- Wouldst thou not throw thyself down and gnash thy teeth, and curse the demon that so spake? Or hast thou once experienced a tremendous moment in which thou wouldst answer him: ‘Thou art a God, and never did I hear anything so divine!’… The question with regard to all and everything: ‘Dost thou want this once more, and also for innumerable times?’ would lie as the heaviest burden upon thy activity! Or, how wouldst thou have to become favorably inclined to thyself and to life, so as to long for nothing more ardently than for this last eternal sanctioning and sealing?” —Friedrich Nietzsche, The Gay Science

A lot will be and surely has already been said about the Lost finale, specifically the final scenes. People will say that the ending is a cop-out, that the ending is overtly religious, that ultimately the writers did provide a “the Island is the afterlife” or “the Sideways stories are purgatory” answer. They will say that there was not enough discussion of “the rules,” and that countless questions about mythology were not answered sufficiently. Some will say it was too slow; some will say that not enough characters got closure; some will say it was too sappy; some will say that it ruined the whole series. And someone somewhere will probably say that there wasn’t enough Libby.

It was basically preordained, in other words, that this episode would be controversial. But the question to keep in mind in judging it, though, is: Did the finale provide consistent and compelling closure for the series? Continue reading

Getting Lost (Redux): The Incident

One of the raison d’etres of “Getting Lost (Redux)” has been to help see how Lost got from where it was to where it is now. “The Incident” is critical to that on a very basic level, having triggered Season Six’s controversial and polarizing Sideways stories. It is also critical on a more complex story level, having been the first episode to introduce us to Jacob, in all his splendor.

“The Incident” opens with a scene, which I feel like I’ve linked to a dozen times already but here’s one more, that fundamentally changed the tenor of the series. Not only did it confirm that Jacob was in fact real (it’s almost hard to believe that this was ever in doubt), but it also introduced us to the Man in Black. This was the first real indication that Jacob had a rival, and was not the sole entity of power on the Island. The final season has made clear that the characters were brought to the Island as part of a power struggle between Jacob and the Man in Black—a struggle that will ultimately end with Jacob’s death. Continue reading

Getting Lost (Redux): There’s No Place Like Home

The Season Four finale opens with the Oceanic Six, as well it should. The Oceanic Six were the story of Lost’s fourth season: Who were they? How did they get off the Island? What happened to them after they left? Why do they want to go back?

The first scene of “There’s No Place Like Home” takes place as the Oceanic Six—Jack, Kate, Hurley, Sayid, Sun, and Aaron—are flown in from the remote island they were found on. As Jack reminds them of the agreed upon lie, he tells them not to worry if they can’t answer any questions. “They’ll think we’re in shock,” he tells them. To which Sun replies: “We are in shock.” Continue reading

Getting Lost: What They Died For

It’s time for another installment of “Getting Lost,” where John S takes you through all the salient questions from last night’s episode of Lost:

Wait, is this a Redux post or a real one? It’s the real thing baby!

Good. It’s too early to start reminiscing anyway. Well, I don’t know about that, but there are definitely pressing matters to discuss from “What They Died For.”

Yeah, like: What do you get when you burn ashes? Obvs you get slightly smaller ashes. Continue reading

Getting Lost: Season Six Thus Far

In the absence of a new Lost episode last night (ABC ran a rerun of “Ab Aeterno” instead), this week’s “Getting Lost” will look at where the show’s final season stands now:

Given the hype and anticipation for this season of Lost, has it lived up to the expectations? That, of course, is the big question. I think the obvious answer, at this point, is “No.” We still don’t know how the alternate timeline plots will ultimately resolve themselves into the main narrative, and this season has seen its share of dull episodes, like “What Kate Does,” “Dr. Linus,” and “The Package.”

But it’s probably unfair to judge the whole season as of yet. Lost has always been a show that has made its reputation primarily with premieres and finales. That’s not to say that character development doesn’t play a key role on the show, just that the show has made a habit out of sandwiching some dull episodes with strong beginnings and thrilling endings. Fans tend to forget this, but with the exception of Season Five (which I called one of the best television seasons of the Aughts), every single season of Lost has had a pretty noticeable slump in the middle.*

*Some people would probably object to the inclusion of Season Four, which was only 14 episodes, but I would say that episodes six (“The Other Woman”), seven (“Ji Yeon”), eight (“Meet Kevin Johnson”), and ten (“Something Nice Back Home”) were pretty forgettable. Continue reading

Getting Lost: The Last Recruit

It’s time for another installment of “Getting Lost,” where John S takes you through all the salient questions from last night’s episode of Lost:

First thing’s first: Why were Jin and Sun speaking English in the last scene? I suppose it was to stress what Lapidus pointed out—“Look’s like someone got her voice back”—since Sun could speak Korean but not English before seeing Jin, but I’m not buying it. These two grew up in Korea, lived almost all their lives together in Korea, and Jin couldn’t even speak English until last season—there is no way they would speak English after seeing each other for the first time in three years.

Still, though, wasn’t it nice to see those two together again after all this time? It was, actually. I pointed out last week how Sun kept showing up places slightly after Jin gets taken from them, and I had gotten so used to it that I totally forgot that Jin was at Widmore’s camp until they both showed up at the beach. The scene itself was a little generic, but it was a well-earned sappy moment since those two have been apart for so long and—unlike some relationships I can name on this show—they have been so constant in their desire to reunite. It also served as the nice capper to an episode that was all about reunions.

Tell me about it. How many were there? Continue reading

Getting Lost: Lighthouse

Ah....good times

It’s time for another installment of “Getting Lost,” where John S takes you through all the salient questions from last night’s episode of Lost:

So, do you think Jack “has what it takes”? Well, I’ve never been one of the many Lost fans who hates Jack. For the first two or three seasons, he was my favorite character on the show, since he often struck me as the only person on the Island who was rational, prudent, and not totally self-involved. Granted, he’s given to frustrating fits of stubbornness, like when he shattered Jacob’s mirror in last night’s episode, as opposed to waiting patiently to see what exactly the mission he and Hurley had been sent on was all about. But more often, Jack has done what it takes to keep survivors alive. It was Jack, after all, who coined “Live Together, Die Alone,” and it was Jack who found the drinking water, and it was Jack who saved Charlie, and it was Jack who helped spring Sawyer and Kate from the Others, etc. He fails just as often as he succeeds, and his failings are more memorable—like in his unyielding but doomed efforts to save Boone in Season One—but he always goes down swinging. This is what makes Jack both tragic and noble. Continue reading