Posts Tagged ‘Return to Cookie Mountain’

Nine Types of Light: Review

Here’s a question I hadn’t really considered until just now: Does TV on the Radio constitute a supergroup? There’s some obvious evidence to the contrary, specifically that none of its members were famous before the band. And the term “supergroup” is so loaded that it shouldn’t be applied liberally. But all of its members have robust solo careers—since 2008’s Dear Science, Kyp Malone and Dave Sitek each released solo albums. Even more illustrative, though, is how each member seems to refer to the band in interviews: Malone, Sitek, and Tunde Adebimpe seem continuously shocked that they are still together, as if TV on the Radio were a side project that kept growing.

This week’s release of Nine Types of Light should make fans very happy that the band is still together. Despite the broad tastes and styles of the band’s members, TVOTR has developed a coherent sound that is uniquely its own, which its members would be unable to match without one another. Indeed, the band’s different sounds have blended together so well that I often can’t even tell who is singing on a particular song.

On past albums, the multitude of styles that TVOTR comprises has led to songs that tend to change on a dime—like “King Eternal”—or that tend to sound frenetic, like a lot of songs being played at once—like “Dancing Choose.” Nine Types of Light, on the other hand, has a more relaxed, deliberate sound. The differences are clear from the very beginning. “Second Song,” the first song on the album,* begins slowly, with just Adebimpe’s voice over a lone note, before adding a crisp, simple drumbeat. Of course, the song gets more complex than that, but it is essentially built around the vocal interplay between Adebimpe and Malone, creating a rather straightforward song. Continue reading

Aught Lang Syne: Musical Artist of the Decade

Ten years can be an eternity in music. Ten years after The Beatles released Please Please Me, they had become the biggest band in the world, recorded 12 more albums, and been broken up for three years. Ten years after Elvis came onto the scene and practically invented rock and roll for most of the country, he was an old clown singing boring movie soundtracks. Ten years after Nirvana released Nevermind, Courtney Love had more or less undone the grunge movement with the help of her band Hole.

The lesson: It’s really hard for a band or performer to be good for 10 years. This is probably why we end up remembering decades for small snippets: The 1970s are forever linked to disco, which was popular for a little over two years. The 1990s are best remembered for grunge’s dominance, which was waning by 1994. It’s hard to the think of a similar “moment” from the 2000s.

What we instead remember, with regard to music, are acts. Think of the ’50s and you think of Elvis, the ’60s and The Beatles, the ’70s and Led Zeppelin (or The Clash, or Pink Floyd), the ’80s and Guns N’ Roses (or Bon Jovi), the ’90s and Nirvana, etc. I’ve hypothesized about how this decade will be remembered musically, but that may be less important than who this decade is remembered for. What band or performer had the best decade from 2000-2009? Well, before we breakdown the list of contenders, let’s go over the criteria: Continue reading