Oscarpalooza: Inglourious Basterds

In honor of Oscar weekend, NPI will be rerunning its reviews of the Best Picture nominees. Here, John S praises Quentin Tarantino’s Inglourious Basterds:

Of all directors currently making movies, Quentin Tarantino is by far the most interested in movies themselves. All of his films include specific allusions, both in subject and style, to obscure movies, and they often work within the conventions of very refined genres. His latest work, Inglourious Basterds, is supposedly both a war movie (sorry, Josh and Tim) and a “spaghetti western,” as well as Tarantino’s homage to The Dirty Dozen. Whatever that means, it is really, really good.

Given Tarantino’s infatuation with cinema, it comes as no surprise that the climax of Basterds takes place in a movie theater. The “Basterds” of Basterds—a ragtag group of American Jews who (in case you haven’t seen the previews) like to kill “gnatzees” for their leader Brad Pitt—have chosen this spot for an attempted assassination of the crème de la crème of the Third Reich as they gather to watch Joseph Goebbels’ latest propaganda flick, A Nation’s Pride.

Inglourious Basterds: A Review

Of all directors currently making movies, Quentin Tarantino is by far the most interested in movies themselves. All of his films include specific allusions, both in subject and style, to obscure movies, and they often work within the conventions of very refined genres. His latest work, Inglourious Basterds, is supposedly both a war movie (sorry, Josh and Tim) and a “spaghetti western,” as well as Tarantino’s homage to The Dirty Dozen. Whatever that means, it is really, really good.

Given Tarantino’s infatuation with cinema, it comes as no surprise that the climax of Basterds takes place in a movie theater. The “Basterds” of Basterds—a ragtag group of American Jews who (in case you haven’t seen the previews) like to kill “gnatzees” for their leader Brad Pitt—have chosen this spot for an attempted assassination of the crème de la crème of the Third Reich as they gather to watch Joseph Goebbels’ latest propaganda flick, A Nation’s Pride.

This film-within-in-a-film tells the story of Frederick Zoller’s (Daniel Brühl) attempt to fight off 300 Allied soldiers while holed up in a tower in Italy; from the glimpses we see of this film, it looks repetitive and boring— though Hitler seems to get a kick out of it.

The movie is decidedly unlike Basterds itself, which is altogether uninterested in the kind of glamorization of lone soldiers in bell towers that makes for great propaganda. Instead, Tarantino begins his story on a dairy farm in Nazi-occupied France. A lone SS officer, played with brilliant aplomb by Christoph Waltz, with the nickname of “the Jew Hunter” comes to visit the farm in search of Jews hiding from the Germans.