Posts Tagged ‘The Suburbs’

Monday Medley

What we read while dunking over a 1992 Buick LeSabre…

Hindsight 2010: Josh on The Best of Music

Much of the music I listened to this year was not from 2010, but there were plenty of standout tracks from this year. Below are my top five songs and top three albums of 2010:

Top Five Songs of 2010

5) “Deep Blue” — Arcade Fire

  • It may be a simpler song than many of the others on the The Suburbs, but Win Butler’s falsetto shines on this ballad, as does the acoustic guitar and violin play.

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Hindsight 2010: John S on the Best of Music

I know what you’re thinking: “What the hell? Another Hindsight 2010 post? It’s January 27th!” Well, chill out, man, if you think it’s too late for a review then consider this incredibly premature nostalgia:

Top Ten Songs of 2010

10. “Hurricane J” — The Hold Steady


From an otherwise forgettable album, Craig Finn shows off his knack for guitar hooks and great melodies in a song that also features one of the band’s rare great vocal harmonies.

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The Suburbs: Review

“Sometimes I wonder if the world is so small that we can never get away from the sprawl…” —Arcade Fire, “Sprawl II (Mountains Beyond Mountains)”

“I used to think I was not like them, but I’m beginning to have my doubts…” —Arcade Fire, “City With No Children”

When I was 17, I saw Arcade Fire in what remains the best live performance I have ever seen. It was February 2, 2005, and even though the band’s first album, Funeral, had only been out for a little over four months, it seemed like Arcade Fire had been around forever. By the time the concert rolled around, the band was big enough to bring David Byrne on stage to perform an encore for an audience that included, among others, David Bowie.

In fact, Funeral had had so much buzz prior to its release that it seemed destined to underwhelm. I, for one, was ready to play contrarian and bash it, if only because “Arcade Fire” is a really stupid name for a band. The only problem, though, was that the album was legitimately awesome. From the opening track, “Neighborhood #1 (Tunnels),” I loved it, and I was happy, for once, to completely understand what all the fuss was about.

Of course, with such a hyped and successful debut, there come questions of whether or not those fortunes can be duplicated. And while I really like their second album, and I really enjoyed them the next time I saw them in concert, I had started to think that Funeral was the kind of lightning-in-a-bottle success story that only happens to a band once.

The release of The Suburbs, though, has changed that. Continue reading