Boy Meets World
Girl Meets World, the Disney Channel’s long-awaited Boy Meets World spin-off, premiers tonight. Except it’s not Disney’s typical audience of pre-teens who are awaiting this premiere—it’s people in their 20s who have been clamoring the loudest for this show about an eleven-year-old girl. And why? Because we millennials fucking love Boy Meets World.
For those unfamiliar, Boy Meets World aired on ABC from 1993 to 2000, as part of the network’s “TGIF” lineup of family-friendly programming. The titular boy was Cory Matthews (played by Ben Savage). He was in sixth grade when the series began. His parents were happily married. He had an older brother (Eric, played by Will Friedle) and a younger sister (Morgan, played brilliantly by Lily Nicksay, then forgettably by Lindsay Ridgeway). His best friend was Shawn Hunter (Rider Strong) and the object of his affections was Topanga Lawrence (Danielle Fishel). Most important, though, was his next-door neighbor and perpetual teacher, Mr. Feeny (William Daniels), who was the show’s voice of reason and guiding light.
But all that sounds pretty cookie-cutter. It doesn’t really capture the enduring appeal of Boy Meets World. So what does? What accounts for the enthusiasm for Cory and Topanga’s return? Continue reading
What we read while giving our Moms a day off (with no pay)…
The Year of Breaking Bad
This was a big year on television. Netflix and Amazon added a bunch of new shows and whole new model for making them. A bunch of big shows, from 30 Rock to Breaking Bad, aired series finales. And what the hell happened to Homeland? The result was a lot of turnover on my list of best episodes. Some shows, like Louie, didn’t air in 2013, and some, like Community, simply dipped in quality. Anyway, here are the top ten episodes of the year. With spoilers, obvs…
10) “The Marry Prankster” — Happy Endings
Happy Endings did not get one. It was cancelled unceremoniously after a season that was kind of a letdown. But it was still one of the funniest shows on TV until its dying day. “The Marry Prankster” was probably the best example of its absurdist humor to air in 2013, from the Usual Suspects homage (“I’m not as dumb as I am”) to the crafty one-liners (“Classic Brad panic move, like when 9/11 happened and you full on supported the War in Iraq…” “We were lied to!”). Happy Endings will be missed, though some of the cast have found new homes on Fox sitcoms.
In case you somehow missed it, The Office aired its series finale last week. Now, I’m on the record with my problems with that show, and fans seemed to like the finale a lot, so I won’t rain on their parade with my criticisms of it. But it brought to mind a problem I have with series finales in general: It really bothers me when characters in TV finales act like they know they’re in a TV finale.
This is a very common problem, especially with comedies. Plot-driven shows can spend their finales concluding whatever series-long arcs it has been developing: (Spoilers) The Sopranos settled Tony’s war with New York, Battlestar Galactica found “Earth,” Lost explained the Island (kind of), etc. But shows that are more character-driven end up filling the time with a lot of “finale talk.” Continue reading
Every year this list gets harder and harder to write. After a spring of Mad Men, Girls, and Veep, followed by asummer of Breaking Bad, Louie, Wilfred, and Pretty Little Liars, fall is starting to look like the worst part of television’s year: another round of network shows destined to be cancelled after a few weeks, or so broad and grating that they’re hard to watch. Nevertheless, there’s usually something to be excited about, even if I have to dig deep to round out the list:
10) Ben & Kate Premieres September 25 on FOX
I’m throwing this on the list because it felt wrong not to include any new comedies, even if this year’s batch seems particularly uninspired. At least this one has Jim Rash’s writing partner, Nat Faxon, in it. Plus a cute kid…
What we read while demanding Indonesia refund our concert tickets…
The Gang of Four
“It’s super important to me that people stay interested in Walt. It’s not quite as important to me that people continue to root for him” —Vince Gilligan
When did Walter White become a “bad guy”? If the pilot is to be believed, then he originally “broke bad” when he first decided to start selling crystal meth. But that probably doesn’t hold true for most viewers—he had just learned he was dying and his motives were noble, so we were all rooting for him.
Walt’s first murder was self-defense, and even his second was only done to protect himself and his family—he was in anguish when he realized that he couldn’t let Krazy-8 go. So most of the audience would probably forgive him for that, too. There are similar extenuating circumstances for most of Walt’s early sins—his lies to his family and the deaths he caused. For a very long time, it was easy to make excuses for Walt’s behavior. Continue reading